Go home.  
Stuff I'm Doing
Stuff I've Done
Stuff I'm Selling
Stuff About Me
Comics
Scripts
Links
Contact
Extra, extra!

archives
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
October 2007
September 2007
August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005
May 2005
April 2005
March 2005
February 2005
January 2005
December 2004
November 2004
October 2004
September 2004
August 2004
July 2004
June 2004
May 2004
April 2004
March 2004
February 2004
January 2004
December 2003

October 30, 2005 18:49My Chicken Has The Sniffles

Happy Pandemic!

Okay, maybe not yet, but soon maybe (fingers crossed). The promise of a new worldwide epidemic ("pandemic" for those of you interested in expanding your vocabulary) that could top even the razzle-dazzle body count of the Justinian plague has the nipples of the world media outlets standing at attention. But does the chance of a massive-scale human cull translate into more than just another ratings bonanza for news networks that have been flying high on earthquake and flood footage with snazzier visuals than the boring political corruption that's sweeping across the States on a scale Katrina could only ever dream of?

Panic Central, CNN, has been offering round-the-clock coverage of every chicken with a fever, duck with a chill, or pheasant with a chronic cough, just in case one of them has cooties that might leap onto the nearest television journalist, and then leapfrog across the rest of humanity from there. With no really interesting hurricanes left to cover, they have no choice but to sit around all day promising that Anderson Cooper will snag an exclusive interview with the first mutated avian flu virus capable of human-to-human infection the moment it evolves (or is created by God for viewers in the south). A microscope with a satellite uplink is ready to roll, and a set of blue index cards stands by for Anderson to read questions off of. Probing inquiries such as, "Are you a sign of the apocalypse?" "What do you have against mankind anyway?" and "How much money would it cost the American taxpayer to get you to leave our nation alone and go bother someone else like…say….North Korea?" should keep viewers riveted long enough for the virus to further mutate into one that can comprehend these questions and articulate a response in a known language (preferably English because CNN viewers don't like subtitles unless they're in the form of an amusing and insightful ticker that scrolls across the bottom of their screens and tells them who won a Grammy).

I know I may be jumping the gun, but I've already applied for a position as a mass-grave cart-puller. I've always dreamed of holding a job that allowed me to ring a bell and call, "Bring out your dead" all day long. You'd be surprised how rarely I get to do that as a professional screenwriter. I figure it's a good idea to have another line of work ready since I doubt there will be much call for cartoon and miniseries scripts once most of the human population is wiped out and we descend into another dark age because everybody who knows how everything works will be roasting on a pyre with the billions of diseases chickens we used to need to feed ourselves.

You know, I recently had a pitch for a TV episode turned down because it was deemed "too ghoulish." I can't understand where they got that kind of idea about my work.

© Eyestrain Productions & Shane Simmons
Web Design by Zoonini Web Services

XML: RSS Feed    Powered by Pivot - 1.40.4: 'Dreadwind'